000 02232nam a22003017i 4500
005 20261016202624.0
008 261016s1998 xx ||||| |||||||| p|eng d
020 _a9780231111720
020 _a023111172X
035 _a(KOHALIB)isbn-9780231111720
040 _aKOHALIB
_beng
_erda
_cKOHALIB
082 0 4 _a811.54
_223
100 1 _aMcClatchy, J. D.
245 1 0 _aTwenty questions :
_b(posed by poems) /
_cJ. D. McClatchy.
264 1 _aNew York :
_bColumbia University Press,
_c1998.
300 _a200 pages
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
520 _aIn Twenty Questions, one of America's finest poet-critics leads readers into the mysteries of poetry: how it draws on our lives, and how it leads us back into them. In a series of linked essays progressing from the autobiographical to the critical - and closing with a remarkable translation of Horace's Ars Poetica unavailable elsewhere - J. D. McClatchy's latest book offers an intimate and illuminating look into the poetic mind. McClatchy begins with a portrait of his development as a poet, and provides vibrant details about some of those who helped shape his sensibility - from Anne Sexton in her final days, to Harold Bloom, his enigmatic teacher at Yale, to James Merrill, a wise and witty mentor. All of these glimpses into McClatchy's personal history enhance our understanding of a coming of age from ingenuous reader to accomplished poet-critic. Later sections range through poetry past and present - from Emily Dickinson to Seamus Heaney and W. S. Merwin - with incisive criticism generously interspersed with vivid anecdotes about McClatchy's encounters with other poets' lives and work. A critical unpacking of Alexander Pope's "Epistle to Miss Blount," for instance, is interwoven with a compassionate psychological portrait of a brilliant poet plagued by both romantic longings and debilitating physical deformities.
590 _aInventory: Single copy, entry 497; recorded quantity 1; damaged N/A
650 4 _aAuthorship
650 4 _aPoetry
650 4 _aLyrik
650 4 _aAufsatzsammlung
650 4 _aPoetry (Poetic Works by One Author)
942 _cBOOK
_2ddc
999 _c485
_d485