02004nam a22002417i 450000500170000000800410001702000180005802000150007603500320009104000310012308200170015410000230017124500950019426400440028930000140033333600260034733700280037333800270040152012890042865000150171765000100173265000200174220261016202623.0261016s1993    xx ||||| |||||||| p|eng d  a9780941419918  a0941419916  a(KOHALIB)isbn-9780941419918  aKOHALIBbengerdacKOHALIB04a811.54082231 aWeinberger, Eliot.10aAmerican poetry since 1950 :binnovators and outsiders : an anthology /cEliot Weinberger. 1aNew York :bMarsilio Publishers,c1993.  a433 pages  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aSince Whitman and Dickinson, most of the major poetry in the United States has been written against the literary establishments and prevailing canons of taste, and often far from the cultural centers. This is the first anthology in many years to gather the work from this continuing tradition of innovators and outsiders, presenting poets and poems that are still excluded from the academic collections. Opening with the last poems of the Modernist masters Ezra Pound, William Carlos Williams, and H.D., the book follows through four generations of writers who have been the primary figures of the new poetries and poetics since 1950. With a historical afterword, complete bibliographies, and generous selections from each of the thirty-five poets, this anthology is the only available introduction to the poets connected with such groups and movements as the Objectivists, the Beats, Black Mountain, the New York School, the San Francisco Renaissance, and ethnopoetics. American Poetry Since 1950 is a new map of the territory, an array of known and unknown contemporary classics. It is full of strange texts and startling procedures, histories and natural histories, high lyricism and extended meditations - extraordinary works that challenge our notions of what a poem ought to be. 4aAnthologie 4aLyrik 4aAmerican Poetry